Documentaries

Modern-day witch shares secret that led to her self-discovery

‘So many things kept me in the ‘broom closet’ A new CBC doc follows the story of Laura Hokstad and two other young women as they uncover what it means to identify as a witch in today's world

‘So many things kept me in the ‘broom closet’ A new CBC doc follows Laura Hokstad's journey

Laura stands beside a Stonehenge monument wearing a black robe.
Modern day witch Laura Hokstad is featured in CBC doc Coven. (Storyline Entertainment)

I stood in a small room adorned with hundreds of porcelain dolls, their glass eyes staring at me. I took off all my clothes and put on a stranger's robe. As I left the room, I felt stiff and cold, as if I was outside of my body. I felt the wet grass on my bare feet as I stepped out of the house and onto the lawn. I walked down a hill to the place where the initiation ceremony was to begin. The whole experience was made even stranger by the camera crew following me.

"One foot in front of the other," my inner voice said. "Walk normally. Look excited, not nervous." These commands stirred up old feelings.

At the bottom of the hill was a fire and a circle made from poured salt. A group of people wearing cloaks welcomed me. The High Priestess Anne-Marie, wearing a crown and wielding a large sword, began the initiation ritual. I remember feeling very out of place.

I first met the High Priestess when we began filming the CBC documentary, Coven. Our meeting was exciting but intense. 

"What if she thinks I'm a fake? Or tells me I don't belong?" I thought. Giving a relative stranger power over my sense of identity made me feel vulnerable. Why did I need her approval? 

As a child, I wanted to be liked and feel like I fit in. But, I always felt like I was on the outside looking in, and for a long time, I didn't know why.

In my early twenties, I was deeply closeted. I would see my girlfriends laughing and hugging each other, taking selfies cheek to cheek. They seemed so comfortable with each other, but I always pulled back. I didn't want to touch them because I feared what would happen if they found out I was gay.

Looking back, I know now that this was my own internalized homophobia and a deep fear of not belonging. I always felt like I was wearing a costume to look like the person I thought I should be.

Although I knew who I was early on, so many things kept me in the 'broom closet'.

When I was approached by Rama Rau, an amazingly powerful feminist director to participate in a film about feminism and witchcraft in the modern age, I had been out to my family and friends as a witch for about five years and as a lesbian for only one. My self-discovery was just beginning.

Rau was looking for someone with an interest in witchcraft but who had not developed a full practice. That was me! For so long, I felt drawn to all things magic, supernatural, and esoteric. But something always kept me from pursuing it further. So this was my opportunity to pursue it, to quiet those voices that always said, "This isn't for you; you're not enough."

While filming Coven, I knew my world was starting to change when I met my second cousin Kathleen for the first time. I sat in her lovely Huntsville backyard, butterflies all around, with my sister by my side. This felt different from the initiation ritual. It was like I was stepping out on a big adventure to discover who I was.

Kathleen Beveridge is our family historian and has charted our family history going back hundreds of years. She told me that my ninth great-grandmother, Mary Towne-Esty, had been killed during the Salem witch trials. 

Watch | Hokstad learns about her ancestor's past.

Modern day witch Laura Hokstad learns a shocking secret | Coven

1 year ago
Duration 1:43
Laura meets a family member who has charted her family's history going back hundreds of years.

This was a huge revelation and sparked my desire to know more.  Maybe the things I'd been feeling were grounded in familial history.

With the research Kathleen had started, I was able to trace my family back to Scotland where I met Lord Moncreif, a local historian. He is the descendant of those responsible for starting one of the witch trials in Scotland and with his help, I discovered I had family who were persecuted as witches there as well.  

It was surreal to meet a person whose family had persecuted my own. But Lord Moncreif has been working to make amends for the harm his family caused and has created a beautiful garden maze as a tribute to the 13 women who were murdered.

Watch | Hokstad tours a memorial maze in Scotland  

This memorial maze in Scotland honours 11 people executed for witchcraft | Coven

1 year ago
Duration 3:46
A Scottish aristocrat built it to pay tribute to the men and women who were put to death on the orders of his 17th-century predecessor.

Over the next year of filming Coven, I felt myself growing more confident in my identity as a witch. Meanwhile, my personal life changed too. I was out to everyone in my life and lucky enough to be accepted by most. No more secrets. And I had met someone; my girlfriend who I have been with for three years and who loved all of me, even my witchy side.

I had come so far from that person standing in a stranger's robe, feeling cold and alone. This part of my journey culminated with my experience at Stonehenge. Being on that sacred land, an area I could trace my family back to, I felt powerful and confident.

And when I stepped through the stone circle this time, in my own robe, I knew exactly who I was. A witch. A lesbian. A partner. A sister. A daughter. A friend.

I was enough.

ABOUT THE AUTHOR

Laura Hokstad (she/her) is a queer Toronto-based art director and tarot card reader. She is also the host of the YouTube series on Rue Morgue TV called Terror Tarot, where she analyzes the use of tarot cards in horror films. She is one of three millennial witches filmmaker Rama Rau follows as they embark on separate journeys of self-discovery in the CBC documentary Coven.

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