British Columbia

Vancouver show hopes to bridge the worlds of symphony and video games

An upcoming Vancouver concert will feature symphonic renditions of music from some of the world's most popular video games — and the orchestra's director wants to make new fans of orchestral music in the process.

Conductor behind Game On! show on Wednesday wants to bring orchestral music to new audiences

An orchestra preforms a piece with a photo of a robed figure visible.
An upcoming show in Vancouver melds the worlds of video games and symphony. The Game On! show has toured the world — in this picture, conductor Andy Brick takes the audience through a song based on the 2017 game Destiny 2 at a performance in Montreal. (SNAPePHOTO Inc./Game On!)

An upcoming Vancouver concert will feature a symphony orchestra performing music from some of the world's most popular video games — and the orchestra's conductor wants to make new fans of symphonic music in the process.

Game On! will see the Vancouver Symphony Orchestra take on music from megahit games like The Elder Scrolls 5: Skyrim, Civilization, Assassin's Creed and more at the Orpheum Theatre on June 11.

Conductor Andy Brick says that back when he first started working with symphony orchestras to perform music from video games in 2003, the idea was a novelty.

Brick says he was the first to conduct such a concert in the West, with the Czech National Symphony Orchestra in Leipzig, Germany — and admits many of his musicians, at first, expressed skepticism over being asked to play music from video games.

A man conducts an orchestra in a performance.
Game On! conductor Andy Brick is seen with Symphony San Jose in 2023. Brick is bringing his video-game-based symphony performance to Vancouver on Wednesday, and says he wants to make new orchestra fans in the process. (Submitted by Game On!)

"The minute we started — you know, the hall is sold out, was packed — the audience went crazy. It was almost like being at a rock concert," he told CBC News.

"I think that's one of the really special things about video games, is that the audience connection to the music is quite different than what I think orchestras typically experience with their audiences."

An orchestra plays a song, with a character on screen playing the piano.
While many of the pieces at the concert are blockbuster hits, Game On! conductor Andy Brick says he also wants to present solo pieces to evoke particular parts of a game. Here, Brick leads the Seattle Symphony Orchestra through a rendition of a solo piano composition, Cohen's Masterpiece, from the video game Bioshock. (Brandon Patoc/Game On!)

Brick says he hopes his Vancouver show can serve as a bridge to the world of symphonic music, especially for younger people.

The composer also hopes to convince regular symphony listeners of the value of video game music, which one academic says has deep emotional resonance for gamers.

"You're connecting to the music on the musical level, but you're also connecting to it on a physical, interactive level," Brick said.

"When you get into the concert hall, when you hear this music, you're having a connection not just with the music, but you're having this visceral connection again," he added. "So I think there's a lot of physicality."

An orchestra plays a song with a photo of a dragon on screen.
The concert is set to feature accompanying visuals from the video games — here, Brick conducts the Seattle Symphony Orchestra through a piece from The Elder Scrolls 5: Skyrim. The conductor says the visuals will add a narrative element to the performance and help the audience make a deeper connection with the games. (Brandon Patoc/Game On!)

'Powerful resonance'

Composer, percussionist and music educator Aidan Gold has written about how classical musicians respond to each other and improvise — likening it to a quasi-theatrical experience or even playing a game together.

The composer from Seattle said that playing video games is often a long-form experience that's deeply personal, where a player engages with a game that responds to them in turn.

A man carries a toy piano and smiles.
Aidan Gold says that a video game symphony performance has the opportunity to draw in new fans — both for video games and orchestra. (Mei Stone Photography)

"As a result, you can sort of connect very deeply with certain aspects of it, including the music, which ... forms, like, a powerful resonance" he said.

"Then, whenever you hear it, especially in a new venue like the concert hall, that can often provoke a very communal reaction because you're connecting with all of these other people who may also have had that experience."

An orchestra plays a piece with visuals of a jester character visible.
Brick and Gold say that the act of playing video games can help players form emotional connections to the music. Brick is seen conducting The Hallé orchestra in Manchester, England, to a piece inspired by Assassin's Creed 2. (Submitted by Game On!)

Brick says audiences for his video-game-based symphony orchestra performances have tended to skew younger than usual — and as video games mature as a medium, the audience has grown up with them.

He says condensing video game music into a symphonic performance can be challenging, given how music within games changes dynamically in response to the player, and composers often have to create a suite of tracks that evokes a particular game.

"It's a music which ... speaks more to the atmosphere and the emotional content of the game than it does to a specific storyline," he said. "Because the specific storyline can change."

Brick says he wants to convince regular symphony listeners of the value of video game music, especially given that many video game composers are classically trained.

It's a feeling Gold shares, saying that having a symphony orchestra perform video game music has the potential to appeal to both new and old fans of symphonic music.

"People who don't think so much about video games, or interactive structures, might see these concepts of video game music and be inspired to think more about like, 'OK, how is music like a game? How ... do these communal experiences work?'" Gold said.

"They might have their eyes open to this whole new artistic medium because of that."

ABOUT THE AUTHOR

Akshay Kulkarni

Journalist

Akshay Kulkarni is an award-winning journalist who has worked at CBC British Columbia since 2021. Based in Vancouver, he is most interested in data-driven stories. You can email him at akshay.kulkarni@cbc.ca.