'Monumental' exhibit brings a working halfpipe into the WAG
'Big move' challenges ideas of art, social space, curator says
The normally-tranquil foyer of the Winnipeg Art Gallery was alive with unfamiliar sounds on Friday.
The rolling sound of hard plastic wheels on wood and the clicks and cracks of skateboard decks hitting rubber ledges echoed off the cool stone walls as a handful of Winnipeg skateboarders zoomed across an enormous wooden halfpipe set up in the corner of the room.
There's also a tiny version of the WAG itself set up with grind rails on the edges sitting in the middle of a brightly graphic mural on the floor.
It's all part of a pair of new exhibits, Boarder X and Vernon Ah Kee: Cantchant, showcasing Indigenous art connected to skateboarding, snowboarding and surfing from across Canada and Australia.
"[This is a] big move in terms of challenging art spaces, challenging cultural spaces, social spaces and really challenging cultural experiences," said Jaimie Isaac, the WAG curator behind the exhibit.
"I think that skateboarding is very performative and very creative, in that they're looking at the urban landscape through a completely different lens and they're looking through it in ways to use the space, ways to respond to the space that it wasn't intended for."
Boarder X features carvings, film, weavings and paintings from seven Indigenous artists across the country.
Cantchant is the work of Indigenous Australian artist Vernon Ah Kee, featuring painted surfboards suspended from the ceiling inspired by white protests against Lebanese immigrants in Sydney and Cronulla in Australia in 2005.
- 'Dumb Indian' and other slurs used to combat racism in provocative campaign
- Urban Shaman celebrates 20 years of Indigenous art
'Unapologetically political'
Isaac called Cantchant "unapologetically political."
"Being Indigenous is innately political. Self-identifying as being from an Indigenous nation or having Indigenous heritage is political," she said.
"I think it's significant in ways that artists are actually able to have that intersection of political, social, environmental, cultural, ways of thinking about the past but thinking about the present as well. That intersection is really what Boarder X is bringing about."
Jordan Bennett, a Mi'kmaq artist from Newfoundland and Labrador, has pieces in Boarder X.
His brightly-painted yellow cedar carvings explore the histories of the Mi'kmaq and Beothuk peoples and Bennett's experience of the land he grew up in through skateboarding and longboarding.
"One of the pieces I have here, Guidelines: the Basket Ladies, is about talking to my relatives, talking to my great-aunt and great-uncle, and hearing stories from community and relating that to who I am as an Indigenous person and who I am as a Mi'kmaq man," he said.
"Times have changed and as Indigenous people, we change as well, our customs, our traditions. We create new customs and new traditions to adapt to our everyday."
Bennett called the new exhibit "monumental."
"To have this open to the community so people can come through and experience it, it's going to be unreal," he said.
The Boarder X exhibit and Vernon Ah Kee: Cantchant open to the public on Saturday, and will remain open until spring 2017. The public can attend a skateboard showcase on Friday night from 7 to 10 p.m.