New Brunswick

For this Mi'kmaw creator, art is a way to amplify activism and promote Indigenous sovereignty

Mel Beaulieu is a queer Mi’kmaw artist whose work centres on Indigenous resistance, gender identity, and tradition. They say a dark political climate is informing their art.

Mel Beaulieu, a queer Mi’kmaw artist, says their art is often influenced by politics

A person in black overalls and a striped shirt standing outside in front of a tree.
Mel Beaulieu, an artist from Metepenagiag First Nation, works across several disciplines: beadwork, 3D printing, virtual reality, teaching, writing and illustrating. (Sam Evans/Submitted by Mel Beaulieu)

When Mel Beaulieu prepared to work as the artist-in-residence at the Beaverbrook Art Gallery in Fredericton this winter, the world seemed ominous. 

Beaulieu, a queer member of Metepenagiag First Nation, says their art is often influenced by politics and the world around them. 

And this relationship only deepened in January, the month Beaulieu worked at the Beaverbrook gallery and Donald Trump was sworn in as 47th president of the United States.

On inauguration day, Trump was quick to target transgender and gender diverse people, issuing an executive order that said the U.S. government would now recognize only two sexes — male and female. A few days later, Trump issued an executive order aimed at ensuring the military does not have transgender members.

WATCH | During residency earlier this year, artist shared story behind their work:

Unravelling the church through beadwork: How one Indigenous artist is healing

2 months ago
Duration 5:10
Melcolm Beaulieu, an artist in residence this winter at the Beaverbrook Art Gallery in Fredericton, says growing up Indigenous and queer in the Catholic Church was suffocating. Now, they’re exploring and unpacking those feelings in their beaded art.

These were just two of the orders Trump has issued during his first months in power that threaten the transgender community in the U.S. and have alarmed the community in Canada as well.

"Now isn't the time for allyship that is silent or allyship that is passive … I think people, especially in Canada, think that those issues don't exist here," said Beaulieu, who grew up in Stanley and now lives in Fredericton.

A pair of earrings with beaded greenery topped with beads that say "Trans Joy"
An example of Beaulieu's beadwork. Their beading journey began eight years ago, and their creations have been shown in exhibitions across the U.S. and Canada. (Submitted by Mel Beaulieu)

As part of the transgender community, the Mi'kmaw artist has hopes that Canada will not follow in the steps of the United States. But they're also uncertain — they've seen a rise in transphobic rhetoric across social media platforms.

"I'm seeing the kind of escalating hate happening where people are more bold in the things they say to me or message me," Beaulieu said. 

The work of the 29-year-old artist ranges across several disciplines: beadwork, 3D printing, virtual reality, teaching, writing and illustrating. Beaulieu wrote and illustrated the children's book Animals at Play in Mi'kma'ki. 

Beaulieu's beading journey began eight years ago, and their beadwork creations have been shown in exhibitions across the U.S. and Canada. 

A white, beaded heart with a golden double-curved motif in the middle surrounded by black wording that says "Protect Your Heart."
One of Beaulieu’s most recent pieces, Protect Your Heart, has those words in bold letters that surround a white beaded heart with a golden double-curved motif in the middle. (Submitted by Mel Beaulieu)

One of Beaulieu's most recent pieces, Protect Your Heart, has the title words in bold letters that surround a white beaded heart with a golden double-curved motif in the middle. 

The background of the piece is red, with barbed wire behind the heart. The double-curved motif, which has several meanings in Wabanaki nations, is associated with nature and symbolizes the interconnectedness of all things. 

During their art gallery residency, Beaulieu said, they started on a work that's expected to take about seven years to complete.

A virtual reality exhibit showing a sweat lodge, in primarily orange, black and green colours.
Puktewitowo'kuom, a virtual reality piece from Beaulieu, will be shown in Campbell River, B.C., at the Campbell River Art Gallery. (Submitted by Mel Beaulieu)

"It feels like, you know, if this project's going to be here in seven years, I'm still going to be here," Beaulieu said. "In seven years, I'm still going to be making art. In seven years, queer people will still be here."

Two vintage church window frames
One of Beaulieu's projects — lifesize wooden church windows — was started during their residency at the Beaverbrook Art Gallery. (Submitted by Mel Beaulieu)

The project consists of life-size wooden church windows with Beaulieu's beaded art in each pane. The overall theme is the Doctrine of Discovery, a centuries-old legal and religious concept that was rejected by the Vatican and Pope Francis in 2023.

The doctrine provided justification for Christians to seize and inhabit land anywhere in the world that was not already inhabited by Christians. If the land was free of Christians, and was home instead to Indigenous peoples, Christian colonists could steal it and lay sovereignty over it, according to the doctrine.

A beaded red diamond with an eye and an upside down bird.
The antique church window frames that Beaulieu is working on will be filled with beaded panels like this one. (Submitted by Mel Beaulieu)

The church window piece is about religion being used as a tool used to perpetrate colonialism on Indigenous peoples in Canada, and how this affects Beaulieu today. 

The work in progress is currently in Beaulieu's shared studio, the Collective, a queer Indigenous-owned art studio that has a tattoo artist, a multidisciplinary fabric artist and group beading workshops, which Beaulieu instructs.

Beaulieu said the political climate of the world has heightened their drive to create art with themes of Indigenous and transgender resistance to combat rhetoric they believe is seeping across the border. 

"It feels a little bit like we have limited time to say what we need to say," Beaulieu said. "Things are being censored — it feels like, you know, now's my time, and I gotta say what I gotta say."

A transgender flag hanging on a stone pillar. The flag says "When I Meet The Creator I Will Ask Them To Make Me Queer In Every Lifetime."
Beaulieu says the political climate of the world has heightened their drive to create art with themes of transgender resistance to combat rhetoric. The piece pictured was hung on the pillars of the New Brunswick Legislature during a protest in 2023. (Submitted by Mel Beaulieu)

Emma Hassencahl-Perley, the Beaverbrook Art Gallery's curator of Indigenous art, says the gallery wanted to collaborate with Beaulieu and other local Indigenous artists in the recent Radical Stitch exhibition. 

"I think there's such a hunger for Indigenous art at the moment in the political climate that we're in," said Hassencahl-Perley, a member of Tobique First Nation who has worked at the gallery since 2018.

A frame with a beaded image, with a blue hue, of two smiling women.
This work, called Matriarchs, is one of the beadwork pieces that appeared in the Radical Stitch exhibition. The beaded images are of Beaulieu's great-grandmother, Mary Peter-Paul, left, and grandmother Loraine Gourley. (Submitted by Mel Beaulieu)

"I think that being in charge of our storytelling in our art forms, like having agency — looking at and exhibiting art through an Indigenous lens is also really important."

Radical Stitch, the largest survey of contemporary Indigenous beadwork in North America to date, was in Fredericton for for much of this winter. The colourful, bold and thought-provoking works show how art transforms Indigenous generations with themes of Indigenous resistance, decolonization and history.

A piece of virtual reality showing a fire, centre, with stars in the sky and muted greenery on the ground.
Beaulieu is looking forward to their virtual reality work being part of Three-eyed seeing: Indigenous Futurisms, an exhibition in Campbell River, B.C., starting this June. (Submitted by Mel Beaulieu)

The gallery exhibition included two pieces by Beaulieu: Matriarchs and Tools of the Maker.

Collaborations with artists like Beaulieu are needed to foster meaningful connections between art museums and Indigenous artists, Hassencahl-Perley said. 

A beaded image of an open window and colourful jars and string on the table in front of it.
The exhibition, Radical Stitch, included two pieces by Beaulieu, including Tools of the Maker, a 2024 piece showing the workspace of a bead artist, pictured here, (Submitted by Mel Beaulieu)

Beaulieu said that being contacted by the Beaverbrook Art Gallery to contribute to Radical Stitch was a highlight of their career.  

"To have it come but then to also be included was like a dream come true for me — it felt like something kind of unattainable."

Beaulieu is now looking forward to their work being part of Three-eyed seeing: Indigenous Futurisms, an exhibition at the Campbell River Art Gallery in Campbell River, B.C., starting this June.

ABOUT THE AUTHOR

Frey Blake-Pijogge is a St. Thomas University student in Fredericton who has been working with CBC New Brunswick. Frey is from Happy Valley-Goose Bay, N.L., and is Inuk from Nunatsiavut. You can reach them at frey.blake-pijogge@cbc.ca.